Clay Matthews

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I sit inside the car and look out the window—

so much of life spent looking out

car windows—and you have gone inside

the pharmacy/convenience store to pick up

whatever it was you were at that moment

needing. We are always needing so much.

And little, relatively, and each other, mostly,

and across the street at the tire shop

a man dressed from head-to-toe in NASCAR

apparel opens the door of his tall truck

for his woman, where they go inside

to a world of bad coffee and sports broadcasting.

It was another time and another place

and I was talking with one of your relatives then

about racing, knowing little about racing,

wanting to pretend I knew enough

because sometimes pretending is the only thing

that tethers two people together. On the television

the cars go around the track, taking turns

as the lead changes. And outside the car the cars

go down the road, they bristle and purr

at the stop light, they beckon

for a little bit of go with the next car over,

for a small test of acceleration between two points,

two motors, two people each with different ideas

about what speed they’re willing to chance

before backing down to the wall of who they believe

themselves to be underneath. On the radio

the music gives way to commercials, it is concert

season, and the bands are coming through

to spread their music like the good word of god.

A furniture store has marked everything down

forty-percent, and in this moment I am forty-

percent with you and what you might be

doing, fifty-percent outside the windows,

ten-percent lost somewhere in the stranger places

of memory, future, fun facts about a thousand things

I thought I’d forgotten. A man rides by

on a bicycle and hits a curb, flipping end-over-end.

We all act like we don’t notice, noticing.

Laughing because here is a moment meant for laughter.

If it were a bone broken, if it were a heart broken,

if it were the morning broken, who’s to say

what the tragic skin of that man holds underneath.

A parking lot. A stop light. An entire universe

gone on and out and up and over the hill.

Straight-aways and long, slow turns over the burms

of life. You walk out of the glass doors

carrying a plastic bag full of the unknown.

There could be magic in there. A small box full

of hope, candy, the five toys I loved most as a child.

I read in the newspaper today that NASCAR

is our fastest growing sport. We have come to embrace

the race. Speed and expansion. Night and day.

Your footsteps picking up as they get closer,

my heart, still beating at a strong and inconsistent pace.

 

 

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Clay Matthews: Artist Statement
Clay Matthews: Bio

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